The Fighting Temeraire (Re)visited

The Fighting Temeraire by JWM Turner

A year ago I wrote about an experiment I ran to learn about the modern period of art from ChatGPT. Chatty picked four paintings to discuss and I wrote about Joseph Mallord William Turner's The Fighting Temeraire. To review, the Temeraire fought in the Battle of Trafalgar but in this painting it's being towed by a steamboat up the Thames to be broken down for parts. I liked the painting because it captured the change in technology from the great sailing ships to boats moving without sails. How technology can move us from the beautiful to the practical with parallels to what we see today.

I wrote the post based on high-resolution images but there is nothing like seeing a painting in person. So during a trip into London, we made a pilgrimage to Room 40 of the National Gallery to see the Temeraire up close. The National Gallery is across the street from Trafalgar Square and a short walk from the Thames the Temeraire traveled in its last trip.

I had a new experience with the painting. I could see the brush strokes, and details I missed before, like the people on the steamboat and how its wheels pushed it along the water. More generally, the emotional experience of seeing this last trip of a great ship. A reminder that no matter how digital our world gets, seeing art in its original form brings the artist's true intentions to mind.

In the same room hang another JMW Turner masterpiece, Rain, Steam, and Speed - The Great Western Railway.

Rain, Steam, and Speed - The Great Western Railway by Turner

Turner painted The Great Western Railway in 1844 less than a decade after the train line started running. Like the Temeraire captures the change in technology, this big fast train moving quickly towards the viewer in a quiet countryside. On the right side of the painting, a bit hard to see even in person, is a man with a horse-drawn plough, and a small boat on the river on the left.

Coincidentally I took the Great Western Railway into London that day, but it's not the same railroad company.

Turner captured a new time in history, where man could travel faster than by horse on land and by wind on the sea, in the early days of the industrial revolution, a reminder of the technological changes we see today. But also the importance of the museum, of seeing something in person that no digital experience can replicate and a location where you can focus on art, undistracted by anything else, except other art.

Two hundred years from now will someone go to a museum to see art that captures the early days of the AI revolution? And will it be generated by a human?